Cosi non la voglio Arie Op.7/6

Composer: Barbara Strozzi (b. 1619 - d. 1677)
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Composer: Barbara Strozzi (b. 1619 - d. 1677)

Performance date: 04/07/2016

Venue: St. Brendan’s Church

Composition Year: 1659

Duration: 00:02:05

Recording Engineer: Richard McCullough, RTÉ lyric fm

Instrumentation Category:Duo

Instrumentation Other: mezzo, vc, lute

Artists: Anna Reinhold - [mezzo-soprano]
Judith-Maria Blomsterberg - [cello]
Fredrik Bock - [lute]

Barbara Strozzi also had the advantage of a father who did everything he could to ensure she had a complete musical and intellectual education. Although Barbara was illegitimate it is generally accepted that Giulio Strozzi was her father and she officially took his name on being adopted and in her teenage years she was known in Venice as la virtuosissima cantatrice di Giulio Strozzi. Whether willingly or unwillingly we do not know she became the concubine of Count Giovanni Vidman, a Venetian nobleman, by whom she had four children while at the same time she was able to make a good living through her art as a singer. Her compositions show her ability to handle her erotic, and mostly misogynist, texts with confidence and sophistication. 
She published eight volumes of vocal music in the twenty years from 1644-1664. She was clearly seeking professional recognition beyond her immediate career as a singer and, as she was neither married nor indentured to a Court or rich patron, she could publish as she pleased. She was fortunate in that Venice in the mid-Seventeenth Century had the most liberal and most sophisticated publishing industry in Europe. She succeeded in publishing 125 vocal works, both secular and religious, in eight Books ranging from delightful arias to passionate Laments, madrigals and extended cantatas with obligato instrumental parts. 
The Count died in 1648 and her father in 1652 but she continued to perform, compose and rear her children without male support. She even took on the Venetian tax authorities and won. Astonishingly she had more works in print in her lifetime than any other contemporary male composer, achieved without the support of either Church or patronage by the nobility.