John Francis Flynn
John Francis Flynn is an Irish singer and multi-instrumentalist whose work traverses the worlds of traditional and contemporary folk music. He is a founder member of the traditional Irish folk band Skippers’ Alley and half of the new duo Paahto and the Bull. His solo work combines traditional material with influences from the worlds of post-punk, electronica, improvisation and contemporary music. He will be coming to West Cork Music in October to perform his own material with a trio.
Often, to imagine Ireland is to fantasise about rolling hills, giants, saints and snakes. As John Francis Flynn says, it involves “a fair bit of paddywhackery and I hate paddywhackery.” The psyche-celtic album artwork for John’s second album Look Over The Wall, See The Sky, hints at this too though: a crystal goblet of luminous green Crème de Menthe resting upon a mossy ledge, perfectly encapsulating this imagined idea of Ireland in a way that is both funny and poignant. But, if you have to imagine Ireland in the first place, then you’re probably not too familiar with its reality: the towering glass giants of Google and Facebook, the unaffordable luxury hotels lining the Liffey amidst a homelessness epidemic and the highest rents in Europe.
On his single ‘Mole In The Ground’, a cover of an American anti-establishment folk song recorded by Bascom Lamar Lunsford in 1928, John evokes the rebellious energy he felt in his home of Dublin during a time when it was being “torn to shreds by property developers and vulture funds.” In his rendition, John allows the surrealism of the song to take centre stage, opting to speak rather than sing the words. By taking away its nursery rhyme-like melody, we focus instead on our narrator’s stranger fantasies and desires. His voice, too, sits under the ground of the melody, tapping into the song’s dark, hallucinatory spirit: “I don’t like the railroad man/The railroad man will kill you when he can/ and he’ll drink up your blood like red wine.”
To listen to this album is to witness history through a modern lens in a trance-like state.
