Caleb Azumah Nelson & Rónán Hession

The one thing that can solve Stephen’s problems in Small Worlds is dancing. Dancing at Church, with his parents and brother, the shimmer of Black hands raised in praise; he might have lost his faith, but he does believe in rhythm. Dancing with his friends, somewhere in a basement with the drums about to drop, while the DJ spins garage cuts. Dancing with his band, making music which speaks not just to the hardships of their lives, but the joys too. Dancing with his best friend Adeline, two-stepping around the living room, crooning and grooving, so close their heads might touch. Dancing alone, at home, to his father’s records, uncovering parts of a man he has never truly known. Stephen has only ever known himself in song. But what becomes of him when the music fades? When his father begins to speak of shame and sacrifice, when his home is no longer his own? How will he find space for himself: a place where he can feel beautiful, a place he might feel free?

Ghost Mountain is a fable-like novel about a mountain that appears suddenly, and the way in which its manifestation ripples through the lives of characters in the surrounding community. It looks at the uncertain fragile sense of self we hold inside ourselves, and our human compulsion to project it into the uncertain world around us, whether we’re ready or not. It is also about the presence of absence, and how it shadows us in our lives. Mountains are at once unmistakably present yet never truly fathomable.